Sarah Sze creates intricate landscapes from everyday materials (thumb tacks, cotton buds, ladders, desk lamps) arranged in a succession of ever more precarious dependencies.
Sze’s commission for MADE UP, like the fragmented residue of a whirlwind, fills a stairwell at the Bluecoat named the ‘Vide’, or void, by its architects. A fragile sediment - made up of architectural elements, paint charts, interior samples, bricks, building materials, moss, plants and roots – clings to the edges of the columnar space, like a tidemark describing the outermost limits of a recent trajectory.
Sarah Sze creates intricate landscapes from everyday materials (thumb tacks, cotton buds, ladders, desk lamps) arranged in a succession of ever more precarious dependencies.
Sze’s commission for MADE UP, like the fragmented residue of a whirlwind, fills a stairwell at the Bluecoat named the ‘Vide’, or void, by its architects. A fragile sediment - made up of architectural elements, paint charts, interior samples, bricks, building materials, moss, plants and roots – clings to the edges of the columnar space, like a tidemark describing the outermost limits of a recent trajectory.
Source: March 2009 "," vimeo.com/3455566"
http://www.youtube.com/watch?v=JEvQ6eIr7QI
Transformation Exhibition
Sarah Sze Interview
Museum of Contemporary Art Tokyo (MOT)
「Tokyo Art Meeting Transformation」
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